Galactic Guardians 2 of 4

Galactic Guardians 2 was cover dated August 1994 and was on sale June 1994, sharing the spinner racks with Aquaman #1, Deadpool #1, Ironman 2020 #1, Judge Dredd #1, Machine Man 2020#1 and Superboy Annual #1.

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I have loved the stars too fondly to be fearful of the night was written by Michael Gallagher, drawn by Kevin West and inked by Steve Montano and opens with Silverback battling Woden on the Bifrost bridge. After a brief fight, Woden decides to move the fight to Earth and is followed by Silverback.

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Back on Mainframe’s world, Martinex is rejoined by replica, who is holding a peace of the creature from inside Mainframe’s internal systems, which now seems to be infecting her. She changes shape in panic and Martinex rushes to get her to the Med-Lab facility after asking Phoenix to power it up.

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In orbit, Firelord has encountered an almost liquid being calling himself Hazmat who bathes Firelord in some kind of extra dimensional chemical. Firelord is struck down by it and is only saved by the arrival of the Spirit of Vengeance.

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On Earth, the battle between Silverback and Woden increases in ferocity and they battle through the Scorched Zone in North America, which is noticed by the President of the Northern Territories, Tarin and her VP Old Redd. The battle then moves into the water and they are both attacked by some mutated sea-creature which is big enough to see them both simply as food.

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On Neptune, Hollywood is punching his way through the planet to work off his anger at the Vision. Their argument is interrupted by the crash landing of an escape pod. Inside is a diminutive blue man calling himself Savant who quickly absorbs the knowledge and skills of both Hollywood and the Mainframe built body of the Vision. Savant wakes them up, with only the physical skills and emotions left and they start to battle one another.

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Back on Mainframe’s world, Martinex tries to help both Firelord and the increasingly angry Replica, but to little avail. Then Replica falls to the ground and starts to vomit up some kind of veined mass. It escapes her body and ‘stands’ before them as the Emissary of Extinction, Ganglian.

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To be continued.

 

Notes:

This was a better issue, more stuff happened and the feeling or urgency was increased. Introducing the villains and splitting the team up into smaller groups does give this whole comic a bit of a silver age feel to it.

The art is better also, Martinex looks back in his old multi-facet look and the art on Replica and Ganglian is particularly impressive.

Mainframe’s world is once more called Klaatu and his interaction with Hollywood does feel quite sibling.

The villains introduced are all working for some big bad who is not mentioned and it does explain why they are all working against the Guardians like this, making far more sense than whatever reason the Galactic Guardians have.

The idea of Skrulls shapeshifting when they panic is an interesting one, which makes a lot of sense, given that it’s their primary form of defense.

Ganglian makes a great last page reveal, despite most characters in this series being alien, most are the traditional humanoid type and to see such an odd looking creature is actually quite welcome.

The first issue sort of put me off, but this has brought me back in and am glad of it.

NEXT TIME: Part 3 The Big Bad revealed.

Guardians of the Galaxy (Vol 1) 30

Guardians of the Galaxy 30 was cover dated November 1992 and on sale in September 1992, sharing the spinner racks with Batman Adventures #1, Daredevil #310, Darkstars #1, Excalibur #56, Eclipso #1 and Spider-Man 2099 #1.

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Arguing a called Strike was inked as always by Steve  Montano, but this issue started Michael Gallagher on full scripting duties and the new penciller of Kevin West. The story opens with the team arguing over their reason for being in the 20th Century, a pre-emptive strike on the Brotherhood of the Badoon, 1,000 years before their attack on the solar system and the genocide that followed. Vance is clearly against this and as a result, the team leaves him behind and leaves orbit in Drydock, course set for the Brotherhood homeworld of Moord. Onboard, the remainder of the team wonder how things are going in the 31st Century.

In answer to that, Rancor and her lieutenants are being held somewhere in eastern Europe (*cough* Latveria) after being held for several weeks, by a familiar looking figure in grey armour and green robes, a person Shaddo believes has been dead for centuries.

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On 20th Century Earth, Vance signals the Badoon, but sends no message. He wants to prevent the genocide Starhawk and Charlie-27 have planned, but can’t bring himself to hurt his team. But by sending the beam at all, something journeys to Moord ahead of Drydock.

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On board, the team is arguing about the attack and Nikki goes over the events of her childhood and Starhawk and Aleta battle for control of their shared form and Charlie tells them to leave, before the ship is destroyed.

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This ends all dissent and the team are united in their desire to wipe out the Badoon. Inside Drydock, there is a stow-away.

On Moord, the signal and it’s passenger arrive and latch onto a Badoon radio operator called L’Matto, changing him forever and just maybe the universe itself.  Only the passenger arrives though, the signal contains no information as Vance cancelled the call as soon as L’Matto went down, not knowing the damage is already done.

In the 31st Century, the Comandeers have broken the remnants of the Punishers, but rumours of a new faction called Retox, addicted to RTV that was destroyed in issue 20. Tarin and Old Redd lament the absence of Hollywood and the Guardians of the Galaxy

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Later on, the Badoon contact the cloaked Drydock and demand to speak to it’s captain Charlie heads for the bridge. In Avengers Mansion, Vance is wandering around and mentions out loud to no one in particular that he wishes he could speak to Captain America. A hand rests on his shoulders and Captain America stands before him. To be continued.

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Notes: Kevin West and Steve Montano are the regular art team pretty much till the comic ends, with the exception of annuals and fill ins, but their look for the characters define the rest of the Guardians tales until the title’s cancellation. His is a different style to Valentino, but it’s clean and pleasant to the eye and remains consistent.

Doctor Mutha-F*@#in’ Doom is in this issue, this series just got better.

Talon is now wearing his hair in a pony tail, which to be honest does sort of work for a character who leaps about so much and West’s look of the character is better than Valentino’s in my opinion.

There is a great panel with the team as it looked in the first issue, showcasing both West’s take on the team as it was, plus how much every character has changed visually since then.

The stow-away plot is resolved in a couple of months, but had my interest from the start.

It is great to see the Badoon again and the fate of L’Matto is revealed in the next issue.

Next Time:  The Guardians vs the Guardians and the plans of the Badoon.